His The Cast of Amontillado perfectly combines his theory and creation practice, and establishes him as a master of horrible story creation.

《那桶阿曼梯萊托葡萄酒》是坡理論與實(shí)踐的完美結(jié)合，它顯示了坡是恐怖小說(shuō)創(chuàng)作大師。

" A cask of Amontillado! " Fortunato repeated. " Where is it? "

“ 一桶阿蒙帝來(lái)多酒! ” 菲頓納多重復(fù)著, “ 在哪里? ”

" How?'said he. " Amontillado? A pipe ? Impossible ! And in the middle of the carnival! "

“ 什么? ” 他說(shuō), “ 阿芒提拉多?一桶? 在狂歡節(jié)期間? 不可能! ”

But now, I am not so sure that the wine is really Amontillado.

可現(xiàn)在，我不敢確認(rèn)這酒是不是真的阿蒙帝來(lái)多。

But I couldn't find you and I was afraid he would sell the cask of Amontillado to someone else.

可是我一時(shí)找不到你，又擔(dān)心他會(huì)把整桶的阿蒙帝來(lái)多酒賣(mài)給別人。

An Analysis of "Single Effect" in "The Cask of Amontillado" from the Viewpoint of Stylistics

從文體學(xué)的角度看統(tǒng)一效果理論在《一桶白葡萄酒》中的體現(xiàn)

" You jest " he exclaimed recoiling a few paces . " But let us proceed to the Amontillado. "

“ 開(kāi)什么玩笑, ” 他退后幾步,他大聲喊道, “ 我們還是去看阿芒提拉多吧. ”